Steve Hullfish and Bob Sliga: Advanced Training for Apple Color

Steve Hullfish and Bob Sliga: Advanced Training for Apple Color
Market price: $149.95
By: Steve Hullfish and Bob Sliga
Size: 4.5GB
Language: English
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Primary Color Correction: Day for night look Adding a highlight glow in secondaries Keyframing color corrections Using the RED tab Advanced Grade Management: Archiving Grades for future use Dragging grades between shots Applying the same grade to multiple grouped clips Sharing grades between users Secondaries:

HSL Qualification Improving Skin Tones Saving a secondary matte or key from an HSL qualification Using Key Blur to soften skin tones Combining Multiple HSL Qualifications Keyframing - moving, copying and pasting them, including auto/manual tracking plus custom shapes Using Secondaries without qualifying anything Advanced Color FX Room: Creating a Color FX preset Understanding the nodes when to use them Dealing with Interlaced footage Keyframing in ColorFX Room Nattress Plug-ins: Understanding the nodes Primary Out Room: Using this in combination with other corrections Geometry Room: Adding keyframes in the Geometry room Archiving: How to archive and restore archives of Color Projects Workaround to Save As with a Color Project Interfacing with Final Cut Pro: How to import color corrections from another Color Project or version How to reconform an FCP sequence after color correction has been done Tangent Devices WAVE panel: Customizing your panel Using your WAVE panel as a mouse Where the customized panel settings are saved for sharing/ moving settings Spyder calibration: Show setup and configuration Using the Spyder Cube to white balance in Color three different methods Tek scopes: How to capture a reference still and use it in matching footage in Color Line select mode to isolate an element vertically in the picture Review of how to use presets Explanation of gamut displays Demonstration of proprietary LQV vectorscope display Explanation of customizing presets Cine-Tal calibration Approx.

Primary Color Correction
Day for night look
Adding a highlight glow in secondaries
Keyframing color corrections
Using the RED tab

Advanced Grade Management
Archiving Grades for future use
Dragging grades between shots
Applying the same grade to multiple "grouped" clips
Sharing grades between users

Secondaries
HSL Qualification - Improving Skin Tones
Saving a secondary matte or key from an HSL qualification
Using Key Blur to soften skin tones
Combining Multiple HSL Qualifications
Keyframing - moving, copying and pasting them, including auto / manual tracking plus custom shapes
Using Secondaries without qualifying anything

Advanced Color FX Room
Creating a Color FX preset
Understanding the nodes - when to use them
Dealing with Interlaced footage
Keyframing in ColorFX Room

Nattress Plug-ins
Understanding the nodes

Primary Out Room
Using this in combination with other corrections

Geometry Room
Adding keyframes in the Geometry room

Archiving
How to archive and restore archives of Color Projects
Workaround to "Save As" with a Color Project

Interfacing with Final Cut Pro
How to import color corrections from another Color Project or version
How to reconform an FCP sequence after color correction has been done

Tangent Devices WAVE panel
Customizing your panel
Using your WAVE panel as a mouse
Where the customized panel settings are saved for sharing/ moving settings

Spyder calibration
Show setup and configuration
Using the Spyder Cube to white balance in Color - three different methods

Tek scopes
How to capture a reference still and use it in matching footage in Color
Line select mode to isolate an element vertically in the picture
Review of how to use presets
Explanation of gamut displays
Demonstration of proprietary LQV vectorscope display
Explanation of customizing presets

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